Huangshan, known as 'the loveliest mountain of China', was
acclaimed through art and literature during a good part of Chinese history
(e.g. the Shanshui 'mountain and water' style of the mid-16th century). Today
it holds the same fascination for visitors, poets, painters and photographers
who come on pilgrimage to the site, which is renowned for its magnificent
scenery made up of many granite peaks and rocks emerging out of a sea of
clouds.
Mount Huangshan, often described as the “loveliest mountain of China”, has played an important role in the history of art and literature in China since the Tang Dynasty around the 8th century, when a legend dated from the year 747 described the mountain as the place of discovery of the long-sought elixir of immortality. This legend gave Mount Huangshan its name and assured its place in Chinese history. Mount Huangshan became a magnet for hermits, poets and landscape artists, fascinated by its dramatic mountainous landscape consisting of numerous granitic peaks, many over 1,000 m high, emerging through a perpetual sea of clouds. During the Ming Dynasty from around the 16th century, this landscape and its numerous grotesquely-shaped rocks and ancient, gnarled trees inspired the influential Shanshui (“Mountain and Water”) school of landscape painting, providing a fundamental representation of the oriental landscape in the world’s imagination and art.
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